PINK FLOYD - RADIO CITY MUSIC HALL - 1973-03-17 - Reeling In Pink Floyd tape 9

page updated on: June 2008
	title: "REELING IN PINK FLOYD - TAPE 9"
	disc/s: 2
	release: -
	date/venue: 1973 March 17 - Radio City Music Hall, NY, USA (1:00am night show)
	source: audience / recorder 2 / Master>DAT>SHN@48k
	tot length: 117:30
	overall: EX

	title: "Reeling In The Floyd CD Sources DVD1"
	disc/s: 2
	release: -
	date/venue: 1973 March 17 - Radio City Music Hall, NY, USA (1:00am night show)
	source: audience / recorder 2 / Master>DAT>SHN@44.1
	tot length: 117:07
	overall: EX
"REELING IN PINK FLOYD - TAPE 9" tracklist: 01. Obscured by Clouds / When You're In / Set The Controls For The Heart Of The Sun / Careful with tha Axe, Eugene / Echoes / The Dark Side Of The Moon / One of These Days [117:30]
Reeling In The Floyd CD Sources DVD1 CD1 01. Obscured by Clouds / When You're In [13:21] 02. Set The Controls For The Heart Of The Sun [15:01] 03. Careful with tha Axe, Eugene [13:31] 04. Echoes [22:04] CD2 01. Speak To Me [3:30] 02. Breathe [2:43] 03. On The Run [5:14] 04. Time [5:33] 05. Breathe (reprise) [1:02] 16. The Great Gig In The Sky [5:52] - little cut at the very end 17. Money [5:34] 18. Us and Them [2:34] - cut inside 19. Any Colour You Like [6:58] 11. Brain Damage [3:38] 12. Eclipse [1:56] 13. One If These Days [8:30]
notes: From master clone, this is the long uncut version of this recorder, Same contents as the 2ndGen>MD version. Speed isn't correct, runs a bit fast. Sound quality is very nice, crispy and smooth, apart the channel problems native with the recording. The indexed version is actually another CD version included in the Reeling In PF project as bonus CD, the contents and the SQ are the same as the uncut version included in the "Tape 9", just not at 48 KHz. notes about the Reeling Project: Reeling In Pink Floyd - general information Message List A little while ago, I received a remarkable offer - Would I be interested in some Pink Floyd related audio material ? What I received was a box of DAT tapes and CDs. Most of the material came to my friend from several of Europe's most famous collectors back in the late 1980s / early 1990s. These are the sorts of people who own the actual master reels of many of the more popular RoIO recordings. These European collectors dubbed significant amounts of their collections for my friend. But, as life has sped up and the years have grown long, he just hasn't had much motivation to listen to any of them any more & was hoping to find a way of sharing the material with others. Happily enough, I happen to know someone with a professional DAT deck - one with a digital output. B-) So, he transferred all of the DATs to .wav files and then .flac-ed them. They're all exactly the same as the original DAT tapes - the same sampling rate, the same length, etc. Some are at 48 kHz, which is actually better than CD quality (44.1 kHz). So, to make a reasonable audio CD, you'd have to sample down to 44.1 kHz and cut into tracks. Obviously, I thought it might be nice to compare these recordings to previously circulating versions. I spread them around to a few friends with large collections. The general consensus was that the DATs tended to be slightly longer (mostly more audience noise) and sound slightly to moderately better than previous, highly circulated versions. But, to be completely fair, often there weren't other versions to compare to (as was often the case with my collection). Also, I happen to own a master reel containing two concerts from the middle 1980s. I had this professionally transferred relatively recently. All of the material fits nicely on 7 DVDs.
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