page updated on: March 4 2004

title: COMPLETELY BRAIN DAMAGED VOLUME 3
disc/s:  2
release: Digital Reproductions - DR 11674-6
date/venue: 1974 November 16 - Empire Pool, Wembley, London, England, UK
source: audience / recorder 2 / External Mics>Portable Sanyo>master clone>cdr[?] >EAC>WAV>archived in shn
tot length: 136:21
overall: EX/EX-

CD1
01. intro [2:20]
02. Shine On You Crazy Diamond [20:56]
03. Raving And Drooling [14:41]
04. You Gotta Be Crazy [19:11]
CD2
01. Speak To Me [4:25]
02. Breathe [2:51]
03. On The Run [4:48]
04. Time / Beathe (Reprise) [6:18]
05. The Great Gig In The Sky [6:34]
06. Money [7:46]
07. Us & Them [7:39]
08. Any Colour You Like [5:50]
09. Brain Damage [3:36]
10. Eclipse + audience [6:37]
11. Echoes [22:41]

notes:
DR notes:
A pretty good audience recording from the Empire Theater, Wembley, London, England on November 16, 1974. This is an incredible audience recording from Pink Floyd's British Winter tour. This is the same show from which the Dark Side suite was broadcast on the BBC. The audience recording captures the entire 130+ minute show that is missing from the 45+ BBC special. What is made even better about this show is that we get the pre-release versions of not only the next album with Shine on You Crazy Diamond, we also get to hear the pre-release versions of the Animals album in the form of what would become Sheep and Dogs. You Gotta Be Crazy even has the vocal elements from Atom Heart Mother in it. The setlist for this show is a little bit different. Floyd starts with Shine On as Roger introduces it as the first song of the night.
The sound is pretty darn good for the whole show, all the instruments are clear and pretty well represented, but at times the cymbals get a little buried. The other interesting thing about this show is the running dialog with the taper during the song breaks. The band seems to be taking a very long time between songs tuning and organizing, so the taper fills the void with the particulars of what he is doing, how he is doing it, and how to trade for it. All of this is part of a conversation with the guy sitting next to him. They don't interrupt the songs, the taper admonishes the inquisitive fan for trying to speak during the show. "No talking, I'm taping right now!" All in all, it really makes you feel as if you were at the show. This production was sourced from the master tapes, and the sound is quite clean with moderate tape hiss for the equipment used at the time. This was a very low gen source, therefore no hiss or noise reduction was used. If you're a big time Floyd fan, I can't recommend this show enough. Sound quality would be VG+, and occasionally slightly better.

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