page updated on: October 1 2003
|
|
title: - |
disc/s: 2 |
release: - |
date/venue:
1972 March 13 - Nakanoshima Sports Center, Sapporo, Hokkaido,
Japan |
source: audience /
recorder 2 / version 1 -- cass[3]>cdr[?] >EAC>WAV>archived in shn |
tot length:
96:20 |
overall: VG+ |
page updated on: June 2012
|
NO IMAGE |
title: - |
disc/s: 2 |
release: - |
date/venue:
1972 March 13 - Nakanoshima Sports Center, Sapporo, Hokkaido,
Japan |
source: audience /
recorder 2 / version 2 --- cass[3]CDR[1]>EAC>Wav>TLH>FLAC
(16bit/44kHz) ---->Samplitude10(32bit
float/44kHz)>Wav(16bit/44kHz)>CDWave(1.98)>FLAC |
tot length:
98:57 |
overall: VG+ |
"version 1"
CD1
01. Speak To Me [1:08]
02. Breathe [2:49]
03. On The Run [6:01]
04. Time [6:07]
05. Breathe (reprise) [1:03]
06. The Mortality Sequence [4:38]
07. Money [7:05]
08. Us And Them [7:25]
09. Any Colour You Like [7:05]
10. Brain Damage [4:01]
11. Eclipse [2:07]
CD2
01. tune-ups [1:59]
02. One Of These Days [8:24]
03. Careful With That Axe Eugene [11:51]
04. Echoes [27:30] |
"version 2"
CD1
01. Speak To Me [1:10]
02. Breathe [2:54]
03. On The Run [6:10]
04. Time
[6:18]
05. Breathe (reprise) [1:05]
06. The Mortality Sequence [4:18]
07. Money [7:37]
08. Us And Them [7:24]
09. Any Colour You Like
[4:38]
10. Brain Damage
[4:08]
11. Eclipse
[2:14]
CD2
01. tune-ups
[1:47]
02. One Of These Days
[8:58]
03. Careful With That Axe Eugene
[12:17]
04. Echoes
[28:00]
|
notes:
complete show from the alternate recorder of the gig, nice 3rd generation copy
used as source but this recording is 'in general' inferior to the other one.
SQ is here also a bit inferior to Cold Side Of The Bow (from the same recorder)
Cold Side Of The Bow is a bit slow this seems to have the right speed.
Version 1 doesn't
have any hiss like it was processed someway while Version 2 has an intact
high-end and hiss.
notes as they came with the files for "version 2"
***Neonknight's Notes***
A new source to the community of this early DSOTM concert that I received on a
pair of Mitsui discs from an experienced trading friend from the US about 7
years ago.
***Littlepieces' Mastering Notes***
This is a mono recording that was processed as two channel stereo. It has a
phase shift that varies some but is generally about 16 samples for the 1st set
and 5-16 samples for the 2nd set. So both channels were retained and manually
aligned to improve the phasing.
The left channel gain was increased 3.0-3.9db in the Darkside set up to 2:48m
into BD. From this point the sets SQ changes almost like a source change. Noise
levels goes up and 9s seconds later the levels begin to rise and 35s later the
left channel levels goes even higher. Output and hiss levels fluctuate in both
channels but the left channel is notably more erratic. So I replaced the left
channel with the right channel from 44:21m - 46:18m which is the last 80s of BD
and the first 37s of Eclipse. No gain increase from 44:21m - 45:36m then
multiple adjustments to both channels from +2.1db to +4.5db until the end of
Darkside to help smooth the changes as much as possible without using any hiss
reduction. The remaining volume fluctuations you hear in this segment are within
the source as if the recording level is being changed. These cannot be addressed
without segmenting further and reducing hiss to make the transitions
transparent. No negative gain adjustments were made.
During the Darkside set BD has 1:37m more in the middle than rec1 because rec1
is missing music from around where the lyrics turn to how "the lunatic is in my
head". There is also 50s of unaffected content not in rec1 prior to the SQ
change at 2:48m into BD. It's also of note that this source's levels drop about
5s before Eclipse.
At the beginning of the 2nd set all of the audience and beginning of OoTD is
louder than rest of the set, so I used the left channel as its output is lower,
and replaced the right channel to avoid an obvious level difference or gain
reduction. After this the left channel's gain was increased 1.5db up to 13:50m
into Echoes. The 2nd set was phase shifted ~5 samples til 13:50m into Echoes
when the shift increased to ~15 samples, or essentially the same as the 1st set
and the left channel gain increase is no longer necessary. I realigned the
channels again at this point to maintain proper phasing.
The speed was close enough most of the time, so I decided not to subject it to a
SpC/resample.
The '3rd gen, 2nd source' CDR transfer of rec2 that seems to be related to this
version runs about 2.5% faster, which accounts for this copy of the concert
being ~2:40m longer. The levels and degree of phase shift and type of sound also
differ so we can be confident that they are from different sources.
Neonknight CDR/ Little Pieces Production (LPP)/(July 2010) |
back to: 1972 March 13:
Atom of Sapporo |