page updated on: December 2008
CD1
notes: This is a new
recorder recently surfaced from Reels thanks to Doinker, I have no idea if it
corresponds to other recorders out there, it's not the same recorder as the
other 3 I checked anyway. SOund quality is the worse among the recorders I
checked too unfortunately, ut this recorder is almost complete and it's also new
... just as nice as it comes ... notes as they came
with the files: Pink Floyd
Hollywood Bowl 1972-09-22 "Box 1432 Tape" low-gen AUD reel-to-reel with photos
title: -
disc/s: 2
release:
-
date/venue:
1972
September 22 - Hollywood Bowl, Los Angeles, CA, USA
source:
audience /
recorder 4 / Reel[low]>Sound Forge>Channel converter Mono to
Stereo>Fades, track splitup>Flac
tot length:
132:02
overall: VG+
01. Speak To Me [2:22]
02. Breathe [3:00]
03. On the Run [4:41]
04. Time / Breathe (Reprise) [7:00]
05. The Great Gig In The Sky [2:56]
06. The Great Gig In The Sky [1:27] - reprise
07. Money [6:26]
08. Us And Them [7:45]
09. Any Colour You Like [4:45]
10. Brain Damage [3:54]
11. Eclipse [1:30
12. One Of These Days [9:17]
CD2
01. Tuneups [2:07]
02. Careful With That Axe, Eugene [11:55]
03. Tuneups [2:12]
04. Echoes [26:17]
05. Tuneups [2:27]
06. A Saucerful Of Secrets [15:43]
07. Tuneups [2:56]
08. Set The Controls For The Heart Of The Sun [13:21]
You might just be looking at the tape used for the "Crackers" bootleg. I don't
have any proof other than what is contained in the photographs accompanying this
torrent, but they are very convincing evidence that this tape had SOMETHING to
do with making a record album, even if it was only in someone's imagination.
There were several fades on the original tape. These have been preserved for the
most part, with digital fades overlaid to keep the tape hiss from flaring. "The
Great Gig In The Sky" was in two distinct parts, and it has been left that way.
The end of "Careful With That Axe, Eugene" has been reconstructed, and the track
break has been moved. The original tape fades right after Roger's last breath,
and the next track begins with most of the rest of the applause. It was too
abrupt the way it was.
Tuneups were tracked by themselves, so that the beginning of each tune falls on
the start of the next track.
This tape is one-channel monophonic. To keep with avoiding conta bonos, the
second channel was duplicated in Sound Forge. Hence, the Flac compression rates
are at around .300, but this is the entire set as I have it.
Setlist: (Runtime 2hrs 12 minutes 2 seconds)
Lineage: Reel tape (low gen)->Sound Forge ->Channel converter Mono to
Stereo->Fades, track splitup->Flac via Flac Frontend, level 6, sectors aligned
and verified
Photos: Nikon D50
Enjoy!
A DoinkerTape
back to:
1972 September
22: Hollywood Bowl