page updated on: April 1 2005

CD1
01. Intro / In the Flesh [5:02]
02. The Thin Ice [2:49]
03. Another Brick In The Wall (Part 1) [4:23]
04. The Happiest Days Of Our Live [1:28]
05. 6nother Brick In The Wall (Part 2) [6:22]
06. Mother [7:44]
07. Goodbye Blue Sky [3:45]
08. Empty Spaces[2:12]
09. What Shall We Do Now? [1:42]
10. Young Lust [5:23]
11. One Of My Turns [4:01]
12. Don't Leave Me Now [4:05]
13. Another Brick In The Wall (Part 3) [5:04]
14. Goodbye Cruel World [1:46]
CD2
01. Hey You [4:51]
02. Is There Anybody Out There? [2:55]
03. Nobody Home [3:30]
04. Vera [1:18]
05. Bring The Boys Back Home [1:19]
06. Comfortably Numb [7:23]
07. The Show Must Go On [2:34]
08. MC intro [2:52]
09. In the Flesh [4:31]
10. Run Like Hell [8:01]
11. Waiting For The Worms [4:26]
12. Stop! [0:31]
13. The Trial [6:16]
14. Outside The Wall [3:59]

notes:

Tape Labeled: 1980 August 08 - Earls Court Exhibition Hall, London, England
generation: ?
original ? Gen.cassette label = BASF Chrome 90x1 + TDK SA90x1
transferred by me in March 2005 from borrowed cassette tapes with many thanks to T!:
my playback deck = Philips (FCD485)
my audio card = Sound Blaster Live
recorded into HD via Cool Edit Pro
BASF Chrome 90x1 + TDK SA90x1 > playback deck Philips (FCD485) >
SoundBlasterLive > CEP > wav
tape1:
SideA: In The Flesh? ... Don't Leave Me Now (part 1)
SideB: Don't Leave Me Now (end) ... In The Flesh
tape2:
SideA: Run Like Hell ... Outside The Wall
SideB: //
total length of side ABC approx = 112m

notes:
Nice tape, better than the one used for the CD version in general circulation, this tape has more bass definition and more deepness overall. The general sound quality is better than the version in circulation I'd say, less shrill and warmer, this especially on some songs, less noticeable on others. Also the speed here is right to me, the other version I had was a bit fast.
The tape presents some light clicks in the back, this is on other copies too and turned out as an annoying noise on the other CD version I had before, especially cause it was mastered at a too loud volume, here the clicks are barely perceptible on headphones only and I did nothing to remove them, leaving all totally raw; I mastered the tape at a decent volume and there are no digital imperfections.
The copy I transferred was on 2 tapes of different brand one another: tape A is a BASF Chrome 90m tape, tape B is a TDK SA-90, the sound of the sideC (the TDK tape) is a bit different from the rest for this reason.
I patched Don't Leave Me Now (split on the 2 tapesides). The patch turned almost perfect, not rough as on the other CD version in circulation
SideC is less amplified than side A&B (tape2 is also of a different band, again) so the patch there didn't turn out perfect, but I joined the exact point of the recording without having anything missed or repeated, it's just perceptible a distinct change of sound quality (at the beginning of RLH on the announcement)
Other cuts and stops are here as on the other copy I had, nothing more, nothing less

Waters on RLH: "You get that pig out of here! Have you all seen enough of the pig? Home piggy, go on. Gonna do a song in a minute for all the disco freaks in the audience; also for all the paranoids and psychopaths; also for Alan Jones of the Melody Maker - you stupid shit - winner of the small brain contest 1980. It's called 'Run Like Fuck!'"