page updated on: July 2007

CD1
01. MC intro / In The Flesh? [3:58]
02. The Thin Ice [2:41]
03. Another Brick In The Wall – part 1 [4:15]
04. The Happiest Days Of Our Lives / Another Brick In The Wall – part 2 [8:18]
05. Mother [8:03]
06. Goodbye Blue Sky [3:42]
07. Empty Spaces / What Shall We Do Now [4:15]
08. Young Lust intro [0:46]
19. Young Lust [4:46]
10. One Of My Turns [4:04]
11. Don’t Leave Me Now [4:09]
12. Another Brick In The Wall – part 3 [5:26]
13. Goodbye Cruel World [1:19]
CD2
01. Hey You [4:04] - cut , missing part of the beginning
02. Is There Anybody Out There [3:08]
03. Nobody Home [3:37]
04. Vera [1:58]
05. Bring The Boys Back Home [1:17]
06. Comfortably Numb [7:28]
07. The Show Must Go On [2:36]
08. MC Intro [4:19]
09. In The Flesh [4:17]
10. Run Like Hell [7:41]
11. Waiting For The Worms [4:25]
12. Stop [0:32]
13. The Trial [6:25]
14. Outside The Wall [3:10]
15. audience [1:32]

notes:

Tape Labeled: 1981 June 17 - Earl's Court
generation: 1st
original 1st gen cassette label = TDK-SA60x2
transferred by me in July 2007 from borrowed cassette tapes with many thanks to W!:
my playback deck = TEAC W-860R
my audio card = Sound Blaster Live
recorded into HD via Cool Edit Pro
CD-Wave for splitting tracks
Side A: MC intro / ITF ... Goodbye Blue Sky
Side B: Mother ... Hey You
Side C: ITAOT ... ITF
Side D: RLH ... Outside The Wall

notes:

Truly nice recording from the 5th recorder of this gig, amazing the quantity of recorder survived of this great show.

These particular tapes were a bit hard to transfer, for some reasons they had some static noise when I played them on my deck the 1st time, it totally vanished when I played them the 2nd time for the transfer though. amazing.

this is what I did to the transfer:

- I joined the end of sideA and the beginning of sideB removing a little part repeated between the 2 tapesides, the point of junction is not perceptible (it occurs when Empty Spaces starts).
- there's a gap before "One Of My Turns" on the tape that I left untouched.
- Hey you has a gap near to the beginning, stops after the beginning actually and goes on when Gilmour sings "open your heart, i'm
coming home", I left also this one untouched as I guess it's on the master, also the sound quality changes after the cut and then gets
better after about a minute ... like the taper had the mics/recorder hidden and then exposed it again.
- I joined the end of sideB and the beginning of sideC removing a little part repeated between the 2 tapesides, the point of junction is not perceptible (it occurs when ITAOT starts)
- I joined the end of sideC and the beginning of sideD removing a little part repeated between the 2 tapesides, the point of junction is not perceptible (it occurs near to the end of the intro of RLH before Waters says "this is for all the weak people in the audience)
- there's a gap before Waiting For The Worms that I left untouched.

I did nothing to the transfer then, no post-amplification/boosting/speedcorrection of any kind.
It's easy to recognize this recorder from these few ID points:
- the intro at the beginning starts from "standing on their chairs, will be shot" and the taper or someone near to him says "will be shot"
along with the MC
- before Vera, on the recording from "The Battle Of Britain" the taper or someone near to the mic speaks along the tape ...
- on the MC intro before ITF (second set) the taper or someone near to the mic speaks along with the MC in the following points saying:
"good evening ladies and gentlemen"
then again "no, not quite yet"
and then "opportunity"
and then "explosions in your mind"
and then again "no, no not quite yet"
and again " will be shot, shot!"
and again "no, no, not quite yet!"