page updated on: January 2005

title:  -
disc/s: 2
release:  Ť
date/venue: 1977 July 1 - Madison Square Garden, New York City, New York, USA
source: audience / recorder 2 / TDK SA90 High Position x1 > playback deck Philips (FCD485) > SoundBlasterLive > CEP > CD WAVE > wav
tot length: 86:19
overall: VG

CD1
01. Dogs (cuts in) [12:02]
02. intermission [0:35]
03. Pigs On The Wing part2 [2:15]
04. Pigs (3 different ones) [18:19]
CD2
01. SOYCD 1-5 (parts 1 and 2) [13:07]
02. Welcome To The Machine [7:17]
03. Have A Cigar [4:46]
04. Wish You Were Here [7:04]
05. SOYCD 6-9 [20:50]

notes:
Tape Labeled: 1977 July 1 - Madison Square Garden, New York City, New York
generation: ? / recorder 2
original ? Gen.cassette label = TDK SA90 High Position x1
transferred by me in January 2005 from borrowed cassette tapes, with many thanks to T!:
my playback deck = Philips (FCD485)
my audio card = Sound Blaster Live
recorded into HD via Cool Edit Pro
TDK SA90 High Position x1 > playback deck Philips (FCD485) > SoundBlasterLive > CEP > wav
tape1:
SideA: Dogs (cuts in) / Pigs On The Wing p2 / Pigs / SOYCD 1-5 (part 1)
approx tot length: 44m
SideB: SOYCD 1-5 (part2) / Welcome To The Machine / Have A Cigar / Wish You Were Here / SOYCD 6-9.
approx tot length: 41,50m
total length of side AB = approx 86m

notes:
This recorder seems to be incomplete, missing Sheep, POTW part1, the beginning of Dogs and the encore; also there are some "flips" during the recording especially near to the end/beginning of the songs, also some little drop-outs, evident at the end of SOYCD 1-5 (part one) and near to the beginning of SOYCD 6-9.
This transfer is from unknown gen, but the recording itself seems to be not so good, the taper seems to be quite far from the stage.
The tape had side A less amplified than side B, so I just gave more volume to side A transferring it (from the stereo); the whole tape seems also to lack a bit of high freq., I managed to give power to the music, and consequently the hiss is a bit evident. The recording is not bassy or muffled to my ears, turned out quite crispy, always considering the overall not very good sound quality anyway. Even if the taper was nearer to the stage or there was no hiss the recording would turn out covered by audience noise in any case (pretty "excited" crowd).
SOYCD 1-5 is split in the 2 tape sides, I joined it, the point of junction is at minute 11:16 ; the fade in/out between the 2 parts is on the tape.
also I indexed the tracks following the various points of the "pauses-noises" between the songs, so you can hear the "pause-flip" noise at the beginning of most of the tracks; I don't know if these are pauses on the original master provoked by the taper or if these are pauses provoked later, copying the tape, but I love to leave anything that's on the tape, I don't like to remove the pause flips, whatever the cause of them would be.

haha charade you are!
Waters 'gives up' his game this night ... no numbers during Pigs ... just a BIG firework on 3rd verse (sounds rather as a bomb) ... in spite of the *clear* announce-against-fireworks the crowd seems unable to avoid to play *its* favorite game actually.

back to: AYE A ROAR HE CRIED!

 

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